Roger Voltz’s Commentary on the Purpose Behind Offering Photos of His Masks

Through photographs of my masks, I’ve found a way to share the hidden secrets within their expressions with a wider audience. Fortunately, photography can capture what often escapes the naked eye. Moreover, photos are more accessible than owning an actual Noh mask masterpiece.

When we visit Noh mask exhibitions, whether of old or new masks, we typically stand before each mask, perhaps take a step to the right or left to view the profile, and believe we’ve grasped its beauty and power. But the lighting remains static, and the experience often follows the same pattern, exhibition after exhibition. Sadly, this approach misses much of the masks’ hidden expressions.

That’s why, through my photography, you’ll be able to explore those elusive expressions and feel their presence, even without seeing the original mask. I’ve achieved this by using various lighting angles, particularly firelight, which is ideal for casting dynamic shadows and highlights that bring the masks to life.

This technique is also employed in Takiginoh performances, where Noh plays are performed under the light of bonfires.

Traditionally, Nohgaku is performed at night, illuminated by bonfires, whether on an outdoor stage or in a Noh theater within the grounds of a shrine or temple.

I sincerely hope you’ll purchase these photographs and enjoy contemplating them.
Your support will allow me to continue exploring how to reveal the masks’ secrets through photography.

(Roger•Voltz)