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Let's find comfortable cello playing!

gooosebumps!

Let's find comfortable cello playing!

【秋のバロック音楽会】　アーカイブ期間限定配信（〜2020/12/31）

2020年10月24日（土）15時開演　いずみホール　練習室 《出演》Vc　野津真亮／村上咲依子 ~プログラム~　 1. A.ヴィヴァルディ／チェロと通奏低音のためのソナタ　第３番　RV.43　Largo, Allegro, Largo, Allegro 2.J.B.バリエール／チェロと通奏低音のためのソナタ　第２巻No.6よりLargetto 3.J.B.バリエール／２本のチェロのためのソナタ　第４巻No.4　　　　　　Andante, Adagio, Alleg

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    • Kinchaku

      Do you know "Kinchakubukuro"? It is a drawstring bag. This is an example used to explain the movement of the left hand shifting when moving from a lower pitch to a higher pitch (*when changing fingers from 4 to 1). If I give only the inform

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      • How to know the direction of weight

        "Navel" This was the biggest hint I got from my teacher. It is neither a fingerboard nor a backboard. It was a deeper, more imaginative place. Weight is essential to play the cello. In what way should we physically feel the weight? It

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        • Double-stop

          Many people do not like Double stop. It is only penance to those who have a fundamentally different principle of pressing the strings. We must understand how to deposit the weight of the left arm and in which direction. Equally important

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          Piatti　12Capricen

          I think it's an etude that makes people happy. What's great is that there is a bonus that you can warm up about two steps before you start each work. If you clear the technical matters here, you can concentrate on the musical things after y

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          Piatti　12Capricen

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          Popper 40studies

          A book practiced by many students. In terms of how to practice, I recommend doing a tonality analysis. This is because in order to learn difficult fingering and bowing, it is important to notice the modulation or borrowed chord. By understa

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          Popper 40studies

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          Ability of comprehend

          I teach cello to a man who have a left handicap. He likes the sound of cellos and is highly motivated, but often cannot move his right and left hands at the same time. At that time, it is important to try again using another word or action

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          Ability of comprehend

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          CELLO TECHNIQUE Gerhard Mantel

          A very nice translation was published. Mantel's cello method that I bought at Disk Union when I was a student. The content is a very scientific analysis of how to play, and you can learn the mind and body. Musical things are separated, so y

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          CELLO TECHNIQUE Gerhard Mantel

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          100 year history of cello

          It was a very readable book. My teacher wrote a criticism, so I bought it immediately. Around 1740 to 1840, it can be said that the cello's required role in music expanded and the structure and playing style of the cello evolved the most. I

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          100 year history of cello

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          ２４ study days for cello

          I have never encountered such a text. It is a cello method by Mr. Mario Brunello, a gift from Italy during the stay home period. What surprised me was that the "long tone practice" for the right hand was prepared for 24 days. It's not easy

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          ２４ study days for cello

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          Baillot Violoncello Method

          Opened a very interesting cello method. This was written by a violinist. Over 100 short musical notes divided by tonality. In addition to the basics, you can enjoy playing the duo with a violin or cello teacher. From today, I will try to ve

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          Baillot Violoncello Method

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          Teaching and Coaching

          I asked a person about the difference between teaching and coaching. It's difficult to distinguish between the two, but I think they have different meanings, especially on music education in Japan. I want to be a trainer who can coach. I

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          Teaching and Coaching

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          Connection

          When I think about playing the cello from various angles, I can see this  ”Wavy line” relationship. But now I feel like they are tied to everything!

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          Connection

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