่ฆ‹ๅ‡บใ—็”ปๅƒ

2/6ใฎ็ทด็ฟ’ practice log

๐ŸŽท็ทด็ฟ’ใƒใ‚นใ‚ฏใƒฉใƒชใƒใƒƒใƒˆ bass clarinet
โ˜† Foundation
HWD = minor triad + Major triad 1st inversion
2nd octave only
step 1: learn two pairs (minor & maj 1st inv) up-up up-down down-up down-down
step 2: for each triad (135) add fourth note
1353
5313
1531
5135

observation: Injury point B3 with L5. The key is not far. It's actually too close. I tend to press it with the tip of L5 because the key is in the middle of dense area and prone to mistake if flat finger is used. But, I guess I should learn how. Also, I tend to raise my left arm when I play it, but it seems rather harmful to the hand. I should learn to find the key while arm pit is closed (but do not squeeze it) โ†’ approach vertically not horizontally

observation:
F#4A#3C#4F#4 has "no R5 available for F#4" bcl fingering problem. Is the solution F#4(R5) A#3(L5) C#4(R5L5) F#4(R5)? (switching RL during C#4)?

๐ŸŽท็ทด็ฟ’ใ‚ฝใƒ—ใƒฉใƒŽใ‚ตใƒƒใ‚ฏใ‚น soprano sax
๐ŸŽท็ทด็ฟ’ใƒ†ใƒŠใƒผใ‚ตใƒƒใ‚ฏใ‚น tenor sax
๐ŸŽท็ทด็ฟ’ใƒ•ใƒซใƒผใƒˆflute
๐ŸŽท็ทด็ฟ’ใƒใ‚นใ‚ฏใƒฉใƒชใƒใƒƒใƒˆ bass clarinet
โ˜† Standards
19 practiced today (0/602 overdue = 100% within range)
๐—™๐—ถ๐—ฟ๐—ฒ ๐—ช๐—ฎ๐—น๐˜๐˜‡ (๐— ๐—ฎ๐—น ๐—ช๐—ฎ๐—น๐—ฑ๐—ฟ๐—ผ๐—ป)โ†’ ๐Ÿ’ฌ First 6 notes are chromatic with an octave jump inserted in the middle. The second horn line goes the 3rd of the chords in bars 1-8 and then 7th of m7 to 3rd of dom7 chords (chromatic) with a tritone jump.
๐—•๐—ฒ๐˜€๐—ฎ๐—บ๐—ฒ ๐— ๐˜‚๐—ฐ๐—ต๐—ผ (๐—–๐—ผ๐—ป๐˜€๐˜‚๐—ฒ๐—น๐—ผ ๐—ฉ๐—ฒ๐—น๐—ฎ๐˜€๐—พ๐˜‚๐—ฒ๐˜‡)
๐Ÿฑ๐Ÿฎ๐—ป๐—ฑ ๐—ฆ๐˜๐—ฟ๐—ฒ๐—ฒ๐˜ ๐—ง๐—ต๐—ฒ๐—บ๐—ฒ (๐—ง๐—ต๐—ฒ๐—น๐—ผ๐—ป๐—ถ๐˜‚๐˜€ ๐— ๐—ผ๐—ป๐—ธ)
๐—ฌ๐—ฎ๐—ฟ๐—ฑ๐—ฏ๐—ถ๐—ฟ๐—ฑ ๐—ฆ๐˜‚๐—ถ๐˜๐—ฒ (๐—–๐—ต๐—ฎ๐—ฟ๐—น๐—ถ๐—ฒ ๐—ฃ๐—ฎ๐—ฟ๐—ธ๐—ฒ๐—ฟ)โ†’ ๐Ÿ’ฌ bridge bars 3-4 for BCL
๐—Ÿ-๐—ข-๐—ฉ-๐—˜ (๐—น๐—ผ๐˜ƒ๐—ฒ) (๐—•๐—ฒ๐—ฟ๐˜ ๐—ž๐—ฎ๐—ฒ๐—บ๐—ฝ๐—ณ๐—ฒ๐—ฟ๐˜)
๐—ฃ๐˜‚๐—ป๐—ท๐—ฎ๐—ฏ (๐—๐—ผ๐—ฒ ๐—›๐—ฒ๐—ป๐—ฑ๐—ฒ๐—ฟ๐˜€๐—ผ๐—ป)โ†’ ๐Ÿ’ฌ sounds amazing on BCL
๐—ฃ๐—ฎ๐—ฟ๐—ถ๐˜€๐—ถ๐—ฎ๐—ป ๐—ง๐—ต๐—ผ๐—ฟ๐—ผ๐˜‚๐—ด๐—ต๐—ณ๐—ฎ๐—ฟ๐—ฒ (๐—•๐˜‚๐—ฑ ๐—ฃ๐—ผ๐˜„๐—ฒ๐—น๐—น)โ†’ ๐Ÿ’ฌ on BCL approach B3 from bottom not from left.
๐—ฆ๐—ถ๐—ฟ ๐——๐˜‚๐—ธ๐—ฒ (๐—ฆ๐˜๐—ฒ๐˜ƒ๐—ถ๐—ฒ ๐—ช๐—ผ๐—ป๐—ฑ๐—ฒ๐—ฟ)โ†’ ๐Ÿ’ฌ On shout, I might have to approach B3 from left on bcl, in which case, push the horn to the right to make some space. On Tenor, sing to get the right throat position to hit altissimo on shout.
๐——๐—ผ๐—ป๐—ป๐—ฎ ๐—Ÿ๐—ฒ๐—ฒ (๐—–๐—ต๐—ฎ๐—ฟ๐—น๐—ถ๐—ฒ ๐—ฃ๐—ฎ๐—ฟ๐—ธ๐—ฒ๐—ฟ)โ†’ ๐Ÿ’ฌ Bars 13-16 on BCL needs to ba stablized
๐— ๐—ผ๐—ป๐—ธ'๐˜€ ๐——๐—ฟ๐—ฒ๐—ฎ๐—บ (๐—ง๐—ต๐—ฒ๐—น๐—ผ๐—ป๐—ถ๐˜‚๐˜€ ๐— ๐—ผ๐—ป๐—ธ)
๐——๐—ฟ๐—ฒ๐—ฎ๐—บ ๐——๐—ฎ๐—ป๐—ฐ๐—ถ๐—ป๐—ด (๐—–๐—ผ๐—น๐—ฒ ๐—ฃ๐—ผ๐—ฟ๐˜๐—ฒ๐—ฟ)
๐—ข๐—ฟ๐—ป๐—ถ๐˜๐—ต๐—ผ๐—น๐—ผ๐—ด๐˜† (๐—–๐—ต๐—ฎ๐—ฟ๐—น๐—ถ๐—ฒ ๐—ฃ๐—ฎ๐—ฟ๐—ธ๐—ฒ๐—ฟ)
๐—Ÿ๐—ถ๐˜๐˜๐—น๐—ฒ ๐—ช๐—ถ๐—น๐—น๐—ถ๐—ฒ ๐—Ÿ๐—ฒ๐—ฎ๐—ฝ๐˜€ (๐—–๐—ต๐—ฎ๐—ฟ๐—น๐—ถ๐—ฒ ๐—ฃ๐—ฎ๐—ฟ๐—ธ๐—ฒ๐—ฟ)โ†’ ๐Ÿ’ฌ extremely hard on BCL, but might be fun.
๐—ง๐—ฟ๐—ถ๐—ฐ๐—ผ๐˜๐—ถ๐˜€๐—บ (๐—ข๐˜€๐—ฐ๐—ฎ๐—ฟ ๐—ฃ๐—ฒ๐˜๐˜๐—ถ๐—ณ๐—ผ๐—ฟ๐—ฑ)
๐—๐˜‚๐—ถ๐—ฐ๐˜† ๐—Ÿ๐˜‚๐—ฐ๐˜† (๐—›๐—ผ๐—ฟ๐—ฎ๐—ฐ๐—ฒ ๐—ฆ๐—ถ๐—น๐˜ƒ๐—ฒ๐—ฟ)
๐—”๐—ป๐˜๐—ต๐—ฟ๐—ผ๐—ฝ๐—ผ๐—น๐—ผ๐—ด๐˜† (๐—–๐—ต๐—ฎ๐—ฟ๐—น๐—ถ๐—ฒ ๐—ฃ๐—ฎ๐—ฟ๐—ธ๐—ฒ๐—ฟ)โ†’ ๐Ÿ’ฌ G3A3 problem on BCL  
๐—™๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฒ ๐— ๐—ถ๐—ป๐—ผ๐—ฟ (๐—š๐—ฒ๐—ฟ๐—ฟ๐˜† ๐— ๐˜‚๐—น๐—น๐—ถ๐—ด๐—ฎ๐—ป)โ†’ ๐Ÿ’ฌ just get it in Em first
๐—œ๐˜€๐—ผ๐˜๐—ผ๐—ฝ๐—ฒ  (๐—๐—ผ๐—ฒ ๐—›๐—ฒ๐—ป๐—ฑ๐—ฒ๐—ฟ๐˜€๐—ผ๐—ป)
๐—ง๐—ฎ๐—ฑ๐—ฑโ€™๐˜€ ๐——๐—ฒ๐—น๐—ถ๐—ด๐—ต๐˜ (๐—ง๐—ฎ๐—ฑ๐—ฑ ๐——๐—ฎ๐—บ๐—ฒ๐—ฟ๐—ผ๐—ป)โ†’ ๐Ÿ’ฌ preparation for C3 on Tenor (air not biting)

ใ„ใ„ใชใจๆ€ใฃใŸใ‚‰ๅฟœๆดใ—ใ‚ˆใ†๏ผ